Bloomsday (June 16th) has passed, but I would
assume that among James Joyce scholars and devotees the celebrating continues.
Bloomsday is the annual celebration of the day-in-the life of Leopold Bloom
immortalized in James Joyce’s novel Ulysses. Lovers of James Joyce are
still celebrating because Ulysses and the other work published during
Joyce’s life have been free from copyright protection since January 1, 2012.
Still celebrating six months later? After what they had to deal with regarding
the estate of James Joyce they may be celebrating this liberation for many
years to come. Allow me to explain.
James Joyce died in 1941. Joyce’s estate, which controlled
the copyrights to his published works traded hands until it ended up in the
control of his grandson Stephen James Joyce (he like using his full name). Works protected by copyright cannot be
reprinted unless permission is granted by the copyright holder, and permissions
are often granted, for a fee. When the persons requesting use are academics the
fee involved is often nominal. Not with Stephen James Joyce at the helm of the
Joyce estate. Stephen made the academic’s job of writing about James Joyce
hell. Gordon Bowker referred to it as “Literature’s most tyrannical estate” in
a piece appearing on the Daily Beast web site. In an attempt to prevent
publication and protect the personal life of his grandfather, Stephen has sued,
or threatened to sue numerous scholars, performers (including singer Kate
Bush), and even the National Library of Ireland. The scholarly books that did
not get published would fill library shelves. Publishers, writers, and all
sorts of artists were scared off by lawsuits or the threat of lawsuits. The Joyce Studies Annual ceased publication
due to Stephen James Joyce. Professor Robert Spoo of the University of Tulsa
Law School quit editing the James Joyce
Quarterly and went to law school to become, yes, a copyright lawyer.
With the published works of James Joyce moving into the
public domain Stephen James Joyce no longer wields the power he once had.
However, there are still questions that swirl around James Joyce’s unpublished
works and manuscripts. Stephen James Joyce’s vigorous and aggressive defense of
his grandfather’s works is understandable; Lawrence Lessig has said that
“Stephen Joyce is using whatever power he has.” (It is worth noting that Lessig
and Joyce tangled in litigation. See Schloss v. Sweeney, 515 F. Supp. 2d 1083
(N.D. Cal. 2007)).
The effects of our copyright system often manifest
themselves in the most unlikely places. The matter of James Joyce’s literary
estate is a good example of this.
We now return you to your normally scheduled programming.
Comments
Post a Comment